Oh Snap! Circuits By Elenco ®

June 8th, 2010

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Another toy. Yes! Yet again, the label says it’s not for 2 year olds (the nephew is 27 months now) but labels are for jars and Bands. Not for a couple of crazy cats like us. (Note: you do have to be vigilant when using this with younger kids. Some of the pieces are small enough to swallow, but they are also large enough to keep track of). Even if he’s too young to use the toy by himself, at least he can point to things he wants to try (a safe introduction to experimentation) and be entertained by the results (if there are any).

      Snap Circuits® by Elenco (a Chicago based company we really need to support) is a take on one of those circuit making toys. The magic of Snap Circuits® is that snaps (like the ones on your shirt) are used to connect the various connectors, motors, resistors, lights, switches, and whistle chips. Perfect for little hands with developing motor skills.

snap circuits together

some of the parts

      I suppose I could mention here all we now know about development of cognitive ability through diverse mediums, advantages of tactile experiences, and all that. And I love all that stuff. But mostly, this toy is just plain sweet. It’s got all those colours, it’s easy to use (you can see everthing that’s going on unlike the sets where you just push pins into slots), and can be a thousand different things (the box says 100 creations, but that’s probably when they stopped counting). The spiro-graph-y thing we built was a particular hit. As was the helicopter, of course (flying, chaotic, potentially destructive). It even has a photo-resistor which ended up in a kind of a light theremin when paired with a flashlight.

      I only bought the set entitled Snap Circuits Jr®, which is the most basic self contained set you can buy. You can purchase add-ons like motion sensors, solar panels, and programmable micro-controllers (uses BASIC for all you geeks out there). You can also buy upgrade kits when you exhibit buyer’s remorse for not doing the right thing and shelling out the for the deluxe models. So here’s what elevates Elenco to the next level of toy/consumer goods companies. The combined cost of the basic set and the upgrade kit is about two dollars more than the deluxe set. Or to put it another way: they’re not going to hose you citizen, even though they could. In fact, I’d think they might even take a loss after the extra packaging and shipping on the upgrade kits. Still, the cost of entry is low thanks to the basic set, and you don’t have to debate the cost to get into these things too much because upgrading later is about the same cost as doing it right the first time. My advice: if you can afford it, do it right the first time like the song says.

      So here they are in grainy, poor resolution, noisy action.


      That last one is for the budding circuit bending synth-poppers. I even added a lightbulb for the music visualization artists. And for the future pilots/astronauts:


      I should also note that I first saw these things at a Radioshack somewhere in the States. Then on a recent visit to Seattle, I stumbled into Magic Mouse Toys in Pioneer Square and ran into these again. Two hours later, I left empty handed (but with a planned return visit the next day. But that’s another post) and another must-go place in any Seattle visit.

It’s Raining Hyper-realistic Surreal Men

April 19th, 2010

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What attracted me most to study the kind of work I get to do is the ability to make ideas happen. It sounds pretty trite when said that way but it’s true. You can be walking down the street or looking at some picture and start going down the path of, “I wonder what it would look like if…”

      So, trying to keep that hope alive, I spent an evening putting the below together.

Get Adobe Flash player

      While making the above, I actually saw some details that I hadn’t noticed but picked up while try to recreate it. The most glaring detail (don’t know how I didn’t notice it before) is that the men in the painting are arranged in a grid pattern. When I translated it over to an animated version, I felt a random pattern looked better to me. So that’s what I did. Hey, it’s my bastardization of a classic. Also in the original artist’s spirit of irreverence and incongruity, I paired it with the only piece of music that makes sense (Canada’s gift to great novelty songs).

Meaning Everywhere

April 14th, 2010

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Reddish orange hand, no go.

      As someone I know (can I call him a friend? street acquaintance?) said, “White man says it’s all good.”

      I’m sure the colours just worked out that way (white can be a symbol for “go” and you can’t use green as not to confuse the drivers). But nice observation.

Sita Sings Your Blues

January 23rd, 2010

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This might be old news to some, but Sita Sings The Blues is a feature length animated movie by Nina Paley based around an ancient Indian legend. Definitely worth a watch and a it’s a free download in glorious HD.

      The movie and animation are good enough that the interest in this project could stop there. But there’s more. Despite the relatively (it’s no Avatar) enormous personal cost of producing the movie, it was actually done on an insanely low budget and was a labour of love rather than art for profit. The final kicker is that the project was made with, and is available as, open source material. With a few exceptions, all the third party materials Nina Paley used are available for free to folk just like you and me (archive.org was a popular source for this material. It also has a nice library of the old Superman cartoons).

      Of even more interest for me is that all her source files are almost entirely Flash (.fla) files available for free download at archive.org with a CC Share Alike license. So I downloaded a few files and saw what I could do with them through ActionScript. The jump below will take you to an animation where Sita’s mouth should move when you speak into a microphone. I suggest you keep a little distance from the mic, and even then you’ll probably need to play around with the mic settings.

Download my source files here.

      I can post the pertinent parts of the code if anyone requests, otherwise, just give me a shout if you have any questions.

Note: Nina’s Flash source files are generally a little hard to work with in terms of a programming environment. It’s all timeline animations and the assets aren’t necessarily crafted to be easily targeted for programming purposes. It’s nothing but hand-made love.

Putting The Expo Posters To Bed

December 7th, 2009

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Alright, so the expo poster project is a funded, organized, publicized, artistic effort by Jeremy Shaw titled Something’s Happening Here.

      Here they were again, in a different location.

      Since it did catch my attention, I figured I better do some research and have at least a rough idea of what I’m talking about. Since, you know, a Google search only takes a few seconds. So here it is. And here. This thread is now closed.

Toys!

November 30th, 2009

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This one is about a toy. Hopefully, many more posts about toys will follow, and thanks to my 20 month old nephew, Max, there will be many more toys to post about, hopefully. So I got him a new toy. The package says 6+ but he’s pretty advanced. Here is a non-artist’s rendering of the little guy.

a non-artist's rendering of Max.

a non-artist's rendering of Max.

      I didn’t get the mouth quite right but he really does look a bit like that.

      I think these pictures of Tarata’s Balancing Act from New Zealand are pretty self explanatory.

Tarata's Balancing Act Monkeys in action

Tarata's Balancing Act Apes in action

      Kind of awesome. Exercises all sorts of brain and hand parts that don’t get enough work. And if you need more proof of that, maybe their genius copywriter can convince you:

From the package (all misplaced capitalization are exactly as is on the package):

“Playing the Balancing Act provides the Enjoyment of a Challenge and the Satisfaction of Success.

Making use of every day talents you are introduced to the Natural Law of Gravity, Leverage, Balance Point, Fulcrums, Friction, Weight and Dimension.

Along with the Development of Personal Skills including Patience, Perseverance, Problem Solving, Colour, Shape and Spatial Awareness and Hand eye Coordination, this simple toy is invaluable for Individual and Collective Creativity and Fun!”

      So good that I had to get a set for myself.

      The apes are the better set, not just because they have fewer nooks and crannies which makes their configurations more challenging and imaginative. More that the idea of stacking apes appeals more to my sense of logic. I mean, monkeys stack. They are quite agile and acrobatic creatures. That’s what they do. I’ve never seen dinosaurs pile on top of each other.

      So the apes are the set to get, except maybe for this guy:

Um, not sure about this guy...

Um, not sure about this guy...

      I’m sure his stance is incidental and I’m reading way too much into it.

ADDENDUM (May 29, 2010):

If you would like to know where to get the Tarata Balancing Act in the Vancouver area, that would be Kites On Clouds in Gastown. More than just kites, it’s a fine place to spend some time.

The Expo-ser Strikes Again

November 13th, 2009

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Again with the posters The first set of Expo Posters.

      Same place, about a month later. Though I haven’t walked by there in probably a month, so who knows, maybe someone is lovingly changing the installation every morning. Good work though. So enigmatic. So guerilla. Although one weird thing to consider is: where are they getting the posters? I’d think that they are rare or at least kind of expensive to print out.

Your Trash Is My Bike Repair Kit

October 27th, 2009

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I like to ride bicycles. And whenever I head for an epic ride, I never leave without a helmet, a pump, and my trusty repair kit. So while out for a ride today, my world got rocked by the disruptive boing of a snapping bike chain. I thought, no problem, my mini chain breaker will have me back on the road in a jiffy, like it had so many times before. Wrong. The pin on my chain tool had fixed its last chain and silently broken off without me noticing. So I stood there, like MacGuyver with a bend corkscrew, lamenting my injured multi-tool. I’ve actually had this tool longer I’ve had any of my bikes. But you gotta move on. Which means I had to think. Being a careless sort sometimes, I had failed to repack some zip-ties (a repair kit essential) into my little kit. So after sniffing around the ground not unlike a dog, I found a discarded drinking straw. When bent properly, a used straw becomes a reasonable way to keep a bike chain together. So with the chain barely held together with a soiled piece of plastic, I was able to ride home by using a sequence of a quarter pedal forward followed by a quarter pedal backwards. Hey, it saved me a long walk in cycling shoes, which is never fun. So the lesson here: there’s no such thing as trash. Only potentially useful items that are just between things.

‘86+2010

October 17th, 2009

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Once again, an array of posters caught my eye and brain.

It seems to be a letter by the Premier of BC (the provincial head of government) during Expo ‘86, the World’s Fair held in Vancouver. Just the letter, nothing else. So I suppose the juxtaposition of the timing of this act together with the 2010 Olympics drawing near speaks for itself. If this is a call to attention the parallels of Expo ‘86 and The 2010 Olympics, then I guess whoever put up these posters thinks 2010 is going to a good thing, because as I understand, Expo was mostly a positive experience for Vancouver and left many positive long term results such as new infrastructure, urban revitalization, increased economic presence, and so on. But I also thought that the act of putting up anonymous and cryptic “art” is (besides viral marketers) generally an activity of the left leaning (read: anti-Olympics). But this person is in support of the Olympics? Condemning the Olympics (anti-gentrification of any kind despite any perceived gains) and I missed the point? Is apolitical and just posing the question? Please help. Whatever the intention is, I like the idea.

Not What We See, But How We Look

September 25th, 2009

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As many of you may know, the image below is a famous demonstration of a visual trick. What appears to be a photograph of Albert Einstein becomes a photo of Marilyn Monroe if you view it from further away. This is done by playing around with detailed edges and blurred areas. The person who put this image together utilized an understanding of how most humans pick up images and interpret them. This plays on our ability and preference for focus. Apparently, our tendency to take in and process lines and areas was honed by evolution (”Is that a tiger over there? Who cares, I see stripes, I’m outa here.” We are selected to see obvious details first). It seems many of the art world’s masters knew of this trait and how to exploit it.

      I tried to demonstrate this using Flash. Although I’m using scale and compression as opposed to distance and actual focusing of our eyes, I think the effect is the same. That is, accentuating the sharp details (by being close to the image, which is analagous to having a large/high-res image ) or accentuating the blurry parts (far away, which is analagous to small or low-res). Try playing around with the Flash dealy below:

Get Adobe Flash player

      Artists such as Paul Klee made this a feature of their work, which is why a Klee painting can have very different effects depending on the viewing distance.

Paul Klee's Zaubergarten. Try moving away from the screen.

Paul Klee's Zaubergarten. Try moving away from the screen.

      Whereas Klee made visual focus a feature of his work, Mark Rothko made it his subject of interest:

Mark Rothko's Yellow and Orange. No lines at all, but there are definite shapes, ie. the rectangles.

Mark Rothko's Yellow and Orange. No lines at all, but there are definite shapes, ie. the rectangles.

      I think I finally get Rothko (somewhat). I think the weirdness of his paintings is that he gives you nothing to focus on. We know there are basically two rectangles, yellow, and orange. This is easy. But everything is soft and undefined. No lines, and the colours aren’t solid. Not exactly my favourite painting or my idea of a good time, but it’s an interesting idea and it really makes you think.

      So how crazy can this get? Da Vinci crazy. He took it to another level by building it into the Mona Lisa’s face. Some details of the face are soft, some are more well defined. He is playing around with and controlling how we focus on his painting. To me, this is more evident when you move towards and away from the painting. The key areas I think are the shadows on the outside corners of the eyes (which affect the shape of the eyes and therefore her expression), and the shadow on the corner of the left side of her smile. By playing around with our perceptions, Leonardo changes the degree of the smile. So I think, there is no real answer to what kind of smile it is, because it depends on where we are standing when we look at the painting. Try it out for yourself:

Get Adobe Flash player


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